Dating contemporary fender amplifiers

Some players even fondly refer to their Deluxe Reverb as their “desert island” amp. Mic’d, they can be used on large stages and even fare well in outdoor concerts.Still, with this amp, you get a lot of oomph and versatility in a compact and relatively light package.Sometimes referred to as the “Baby Twin,” the Pro Reverb provided a lot of musical firepower and fit the bill in larger venues.Tech Specs: The 4x10” Concert amp put out about 40 watts.A short-lived model, it was discontinued by mid-1964.Still, a lot of sound output for the money—and they tend to sell for a lot less than the similar-looking Super Reverb amps.In this guide, we’ll learn a bit about each of the amps in the Blackface lineup, including performance attributes, key tech specs, and famous users.Fender offered three versions of the Champ during the Blackface period.

Cosmetically, the amps featured the aforementioned black control panels with white lettering, black tolex protective covering, and silver thread grille cloth.The new style Champ and Vibro Champ amps featured slanting control panels.All of these amps put out about 4 watts and had a single 8” speaker.Also, the non-reverb models cost a lot less than the reverb amps.Plus, unlike the Reverb models, the non-reverb Princeton amp offers a significant amount of clean headroom.

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Tech Specs: The non-reverb Pro amps were about 40 watts and had a single 15” speaker.

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