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“I did a lot of comedy when I was at Oxford, and I think I had some idea I’d be a sort of English Goldie Hawn.
Then I was cast as Sally Bowles in Cabaret at the Wolsey Theatre before I’d finished the course, and that went quite well.
Katie Brayben has possibly the most difficult task, required to find empathy with the distinctly unlikeable Claudia, who destroys a marriage in a thinly veiled ploy to improve her own career.
The problem is that for all this talent on display, so little of the play rings true.
Earlier in her career, Stubbs served time with the Royal Shakespeare Company, distinguishing herself in a notable revival of Aphra Behn’s The Rover, with Jeremy Irons and Stephanie Beacham, and as Desdemona opposite Willard White in Trevor Nunn’s 1989 production of Othello, later filmed.
It is an impressive track record for someone who was never that sure about being an actor in the first place.
“When I was a younger actor, I neglected so much of everyday living, keeping in touch with family and friends, that kind of thing,” she adds.Natalie Simpson, as the couple’s daughter Sophie, is momentarily interesting, berating her parents for their cowardice, but for all the carefully chosen words, nothing feels fully explored emotionally.When you subscribe to The Stage, you’re investing in our journalism. We are fully independent, but this means we rely on revenue from readers to survive.I lapse into a southern accent a few times during the course of the play.When you’re playing drunk, anything is possible.” Paul Minx’s powerful play is set in the mid-1960s in the unhappy home of an affluent, white, Midwest American family whose African American servants are planning a trip to Alabama to join a civil rights rally against their employers’ wishes.